Jesus painting gay lover
Rumor Michelangelo Based Depiction of Jesus on Male Lover Is Unfounded
Some social media users have claimed that Michelangelo based his depictions of Jesus on Tommaso de’ Cavalieri.
Image courtesy of Getty ImagesWhy is there not a rating on this post? While the claim appears groundless, any lead refutation is inherently limited by the fact that Michelangelo is no longer alive to provide clarity. Contact us if you acquire credible information to share. We'll update this post as necessary.
For years, a rumor circulated online that Michelangelo Buonarroti, one of the most renowned artists of the Renaissance, painted an image of Jesus based on his alleged lover, Tommaso de' Cavalieri (or Tommaso dei Cavalieri).
How exactly true is the claim about the Jesus most christians worship mostly existence the one painted by Michelangelo, which is actually a picture of Tommaso de Cavalieri, his lover?
byu/ThatOneBlackGuy123 inChristianity
"How exactly true is the claim about the Jesus most christians worship mostly organism the one painted by Michelangelo, which is actually a picture of Tommaso de Cavalieri, his lover?" one Reddit user asked. Similarly, a Quora user asked: "Is it tru
Cesare Borgia Jesus: Who Is the Image of Jesus Christ Based On?
When you’re looking for a real-life model for Jesus Christ, you’d be hard pushed to think of a less appropriate stand-in for the Prince of Calm than Cesare Borgia.
One of the most notorious members of Renaissance Italy’s most notorious dynasties, the harsh Cesare was thought to be the inspiration for Niccolo Machiavelli’s satirical handbook for would-be tyrants, The Prince.
Thanks to his father – who became Pope Alexander VI in 1471 – Cesare was made a bishop at the age of 15 and a cardinal at the age of 18. At this point in history the Pope directly commanded over a kingdom that dominated central Italy from its capital of Rome.
Though a rising star in the church, Cesare fancied himself a military dude. There was one difficulty though, his father had chosen that career for his older brother, Giovanni. Pope Alexander had appointed his pride and happiness Captain General of the Church — the supreme commander of the Papal States’ armed forces.
Coincidentally, in 1497, Captain General Giovanni Borgia was found floating lifelessly in the River Tiber. Cesare left the church, inheriting his brother’s role, titles and wealth,
Five centuries on, Milan still echoes with the genius of queer icon Leonardo da Vinci
Since his death more than 500 years ago, multihyphenate genius Leonardo da Vinci and his spectacular works have inspired respect and wonder in generation after generation the world over. An star of the Renaissance, an inventor so ahead of his time that it’s taken centuries for many of his ideas to come to fruition, and the painter of some of the most stirring and famous works of art on the space body, Leonardo has also grow a hero for LGBTQ people, who’ve long seen in his works and biography a host of beguiling clues to his queerness.
Yet non-Italians are often surprised to learn that it was Milan, not Florence, where Leonardo spent the bulk of his profusely productive professional experience, and where one of his most recognizable works, “The Last Supper,” still graces the wall of the convent dining room where he painted it at the end of the 15th century. Milan is also where he met Gian Giacomo Caprotti, more commonly known as Salaì, the young male assistant and pupil who many historians believe also became his longest-term lover.
This week, as Milan plays host to the annual global convention for
The long history of how Jesus came to resemble a white European
Posted on: July 22, 2020; Updated on: July 22, 2020
By Anna Swartwood House, houseas@mailbox.sc.edu
No one knows exactly what Jesus looked like, and there are no acknowledged images of him from his lifetime. Art history professor Anna Swartwood Home writes in The Conversation about the complicated history of the images of Christ and how historically they have served many purposes.
The portrayal of Jesus as a alabaster , European man has appear under renewed scrutiny during this period of introspection over the legacy of racism in society.
As protesters called for the removal of Confederate statues in the U.S., activist Shaun King went further, suggesting that murals and artwork depicting “white Jesus” should “come down.”
His concerns about the depiction of Christ and how it is used to uphold notions of white supremacy are not isolated. Prominentscholars and the archbishop of Canterbury have called to reconsider Jesus’ portrayal as a white man.
As a European Renaissance art historian, I study the evolving image of Jesus Christ from A.D. 1350 to 1600. Some of the best-known depictions of Christ, fr